ANIMATION
Theater version "Furikuri Altana"
This animation is watching
far more important thing than the crisis of the earth

OVA "Furikuri", drafted and directed by Kazuya Tsurumaki in 2000, who worked as a deputy director in the "Neon Genesis Evangelion", was not televised nor released in theaters in Japan. It has been handed down as a legendary work. "Eva" reminds us not only of submission of the overwhelming world view but also the visualization of a very novel visual presentation, hitting our brain directly, and "Furikuri" made it a truly exuberant, and was "light shape". More than Japan, this work has enthusiastic supporters for oversea animation fans, mainly in the United States. The new sequel was produced for the first time in 18 years, and it is released as a two-part movie. Tsurumaki went around a supervisor, and seven new directors took off. Theatrical version 'Furikuri Altana' released from September 7 is Yutaka Uemura's work alone.

Girls 'high school students' grief spirit is spelled, the same super heroine, Haruharah Haruko as 18 years ago appeared, the situation is closed by a super dimension fight. There seems to be a crisis on Earth, but there is no feeling of tragedy in the battle. Instead, there is no special time of unknown people being cherished here more than that. No, rather, the battle that Haruharah Haruko carries over appears even to the one embodying irreplaceable dramaticity flowing in ordinary people 's normal time. In fact, this animation is staring at far more important things than the crisis of the earth. Children born at the time of "Furikuri" in the past are high school students now. How do they feel about the movie version "Furikuri Altana"? Now that the circumstances surrounding anime have changed drastically, that’s what I want to know.

Written by：Toji Aida(相田冬二)