The director who sees what the screenplay can do and what the image can do in the video taught me something unexpected about the climax of this work.
Sylvia plays the heroine who is a woman in her 50's with a conspicuous aspect. She causes a trouble from the belief, but her husband who seems at ease watches the wife calmly. On the final stage, the two drive with a new car that the husband suddenly bought. A bitter conversation that does not mesh. However, the sight is also reflected as an unexpected date.
In the script, the car ran in beautiful evening scenery. However, such shooting is almost impossible in China. The camera gazed at the back of their heads while keeping the gray car window, which was not romantic at all, in sight. The couple's faces can hardly be seen. However, since the movie is drawn firmly up to that point, even if the expression is not shown, the audience is moved.
"I think they seemed intimate. That was the last shooting. Zhuangzhuang Tiam who played her husband also returned to my ad-lib in ad lib, there was a tacit understanding."

Silvia has selected a worldwide director Zhuangzhuang Tiam, who organized with “The Go Master”, as a partner in acting. Tailoring the actor's inexperienced master as an actor. Here is a nomadic entertainment.
"He is a strange person (laugh). The only thing I did was to give him a pleasant environment and get it reassured in a safe place." You do it first and I will follow. “And this show, actually I learned when I got into his movie; he also relaxed me as an actress.”

Sylvia Chang forcibly coordinates with a flexible spirit, not forcibly linking the concept, shooting and acting. A movie is made by humans. It is a presence that makes me realize that.

”Love Education”

Written by：Toji Aida(相田冬二)